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Al‑Asma al‑Husna

All ninety-nine Beautiful Names of God, each set in classical Naskh calligraphy within a fine gold geometric frame on deep jewel and warm bone grounds, with an overview plate of the complete list.

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All ninety-nine Beautiful Names in classical Naskh calligraphy, each in its own cell of a fine gold lattice on a midnight blue ground, read from right to left in the traditional order, with each transliteration beneath.

The Ninety-NineNo. 1

The Name Ar-Rahman, the Most Merciful, set large in classical Naskh calligraphy with vowel marks, inside an eight-pointed star rosette drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

The Name Ar-Rahim, the Especially Merciful, set large in classical Naskh calligraphy with vowel marks, inside a twelve-petalled shamsa sunburst drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

The Name Al-Malik, the Sovereign, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

The Name Al-Quddus, the Most Holy, set large in classical Naskh calligraphy with vowel marks, inside a pointed mihrab arch drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

The Name As-Salam, the Source of Peace, set large in classical Naskh calligraphy with vowel marks, inside a ten-pointed star medallion drawn in fine gold on a warm bone ground, with the transliteration and meaning set quietly beneath.

The Name Al-Mu'min, the Giver of Security, set large in classical Naskh calligraphy with vowel marks, inside an eight-pointed star rosette drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

The Name Al-Muhaymin, the Guardian, set large in classical Naskh calligraphy with vowel marks, inside a twelve-pointed star medallion drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

Al-MuhayminNo. 8

The Name Al-'Aziz, the Almighty, set large in classical Naskh calligraphy with vowel marks, inside a twelve-petalled shamsa sunburst drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

The Name Al-Jabbar, the Compeller, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

Al-JabbarNo. 10

The Name Al-Mutakabbir, the Supreme in Greatness, set large in classical Naskh calligraphy with vowel marks, inside a lobed roundel drawn in fine gold on a warm bone ground, with the transliteration and meaning set quietly beneath.

Al-MutakabbirNo. 11

The Name Al-Khaliq, the Creator, set large in classical Naskh calligraphy with vowel marks, inside a pointed mihrab arch drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

Al-KhaliqNo. 12

The Name Al-Bari', the Maker, set large in classical Naskh calligraphy with vowel marks, inside an eight-pointed star rosette drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

The Name Al-Musawwir, the Fashioner of Forms, set large in classical Naskh calligraphy with vowel marks, inside a hexagonal medallion clasped with six-pointed stars drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

Al-MusawwirNo. 14

The Name Al-Ghaffar, the Ever-Forgiving, set large in classical Naskh calligraphy with vowel marks, inside a pointed mihrab arch drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

Al-GhaffarNo. 15

The Name Al-Qahhar, the All-Prevailing, set large in classical Naskh calligraphy with vowel marks, inside a ten-pointed star medallion drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

Al-QahharNo. 16

The Name Al-Wahhab, the Bestower, set large in classical Naskh calligraphy with vowel marks, inside a twelve-petalled shamsa sunburst drawn in fine gold on a pale parchment ground, with the transliteration and meaning set quietly beneath.

Al-WahhabNo. 17

The Name Ar-Razzaq, the Provider, set large in classical Naskh calligraphy with vowel marks, inside a ten-pointed star medallion drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

Ar-RazzaqNo. 18

The Name Al-Fattah, the Opener, set large in classical Naskh calligraphy with vowel marks, inside a pointed mihrab arch drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

Al-FattahNo. 19

The Name Al-'Alim, the All-Knowing, set large in classical Naskh calligraphy with vowel marks, inside an eight-pointed star rosette drawn in fine gold on a pale parchment ground, with the transliteration and meaning set quietly beneath.

The Name Al-Qabid, the Withholder, set large in classical Naskh calligraphy with vowel marks, inside a twelve-pointed star medallion drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

The Name Al-Basit, the Extender, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

The Name Al-Khafid, the Abaser, set large in classical Naskh calligraphy with vowel marks, inside a lobed roundel drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

Al-KhafidNo. 23

The Name Ar-Rafi', the Exalter, set large in classical Naskh calligraphy with vowel marks, inside an eight-pointed star rosette drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

The Name Al-Mu'izz, the Giver of Honour, set large in classical Naskh calligraphy with vowel marks, inside a hexagonal medallion clasped with six-pointed stars drawn in fine gold on a warm bone ground, with the transliteration and meaning set quietly beneath.

Al-Mu'izzNo. 25

The Name Al-Mudhill, the Humbler, set large in classical Naskh calligraphy with vowel marks, inside a pointed mihrab arch drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

Al-MudhillNo. 26

The Name As-Sami', the All-Hearing, set large in classical Naskh calligraphy with vowel marks, inside a ten-pointed star medallion drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

The Name Al-Basir, the All-Seeing, set large in classical Naskh calligraphy with vowel marks, inside a twelve-petalled shamsa sunburst drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

The Name Al-Hakam, the Judge, set large in classical Naskh calligraphy with vowel marks, inside a twelve-pointed star medallion drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

The Name Al-'Adl, the Just, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on a pale parchment ground, with the transliteration and meaning set quietly beneath.

The Name Al-Latif, the Subtle, the Kind, set large in classical Naskh calligraphy with vowel marks, inside a twelve-petalled shamsa sunburst drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

The Name Al-Khabir, the All-Aware, set large in classical Naskh calligraphy with vowel marks, inside a lobed roundel drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

Al-KhabirNo. 32

The Name Al-Halim, the Forbearing, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

The Name Al-'Azim, the Magnificent, set large in classical Naskh calligraphy with vowel marks, inside an eight-pointed star rosette drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

The Name Al-Ghafur, the All-Forgiving, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

Al-GhafurNo. 35

The Name Ash-Shakur, the Appreciative, set large in classical Naskh calligraphy with vowel marks, inside a ten-pointed star medallion drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

Ash-ShakurNo. 36

The Name Al-'Aliyy, the Most High, set large in classical Naskh calligraphy with vowel marks, inside a hexagonal medallion clasped with six-pointed stars drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

Al-'AliyyNo. 37

The Name Al-Kabir, the Most Great, set large in classical Naskh calligraphy with vowel marks, inside a pointed mihrab arch drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

The Name Al-Hafiz, the Preserver, set large in classical Naskh calligraphy with vowel marks, inside a ten-pointed star medallion drawn in fine gold on a warm bone ground, with the transliteration and meaning set quietly beneath.

The Name Al-Muqit, the Sustainer, set large in classical Naskh calligraphy with vowel marks, inside a twelve-petalled shamsa sunburst drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

The Name Al-Hasib, the Reckoner, set large in classical Naskh calligraphy with vowel marks, inside a twelve-pointed star medallion drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

The Name Al-Jalil, the Majestic, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

The Name Al-Karim, the Generous, set large in classical Naskh calligraphy with vowel marks, inside an eight-pointed star rosette drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

The Name Ar-Raqib, the Watchful, set large in classical Naskh calligraphy with vowel marks, inside a lobed roundel drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

The Name Al-Mujib, the Responsive, set large in classical Naskh calligraphy with vowel marks, inside a hexagonal medallion clasped with six-pointed stars drawn in fine gold on a pale parchment ground, with the transliteration and meaning set quietly beneath.

The Name Al-Wasi', the All-Encompassing, set large in classical Naskh calligraphy with vowel marks, inside a pointed mihrab arch drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

The Name Al-Hakim, the All-Wise, set large in classical Naskh calligraphy with vowel marks, inside a ten-pointed star medallion drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

The Name Al-Wadud, the Loving, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on a warm bone ground, with the transliteration and meaning set quietly beneath.

The Name Al-Majid, the All-Glorious, set large in classical Naskh calligraphy with vowel marks, inside a twelve-petalled shamsa sunburst drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

Al-Majid, the All‑GloriousNo. 49

The Name Al-Ba'ith, the Resurrector, set large in classical Naskh calligraphy with vowel marks, inside a twelve-pointed star medallion drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

Al-Ba'ithNo. 50

The Name Ash-Shahid, the Witness, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

Ash-ShahidNo. 51

The Name Al-Haqq, the Truth, set large in classical Naskh calligraphy with vowel marks, inside a lobed roundel drawn in fine gold on a warm bone ground, with the transliteration and meaning set quietly beneath.

The Name Al-Wakil, the Trustee, set large in classical Naskh calligraphy with vowel marks, inside an eight-pointed star rosette drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

The Name Al-Qawiyy, the Most Strong, set large in classical Naskh calligraphy with vowel marks, inside a hexagonal medallion clasped with six-pointed stars drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

Al-QawiyyNo. 54

The Name Al-Matin, the Firm, set large in classical Naskh calligraphy with vowel marks, inside a pointed mihrab arch drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

The Name Al-Waliyy, the Protecting Friend, set large in classical Naskh calligraphy with vowel marks, inside a ten-pointed star medallion drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

Al-WaliyyNo. 56

The Name Al-Hamid, the Praiseworthy, set large in classical Naskh calligraphy with vowel marks, inside a twelve-petalled shamsa sunburst drawn in fine gold on a pale parchment ground, with the transliteration and meaning set quietly beneath.

The Name Al-Muhsi, the Accounter, set large in classical Naskh calligraphy with vowel marks, inside a twelve-pointed star medallion drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

The Name Al-Mubdi', the Originator, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

Al-Mubdi'No. 59

The Name Al-Mu'id, the Restorer, set large in classical Naskh calligraphy with vowel marks, inside a lobed roundel drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

The Name Al-Muhyi, the Giver of Life, set large in classical Naskh calligraphy with vowel marks, inside an eight-pointed star rosette drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

The Name Al-Mumit, the Bringer of Death, set large in classical Naskh calligraphy with vowel marks, inside a hexagonal medallion clasped with six-pointed stars drawn in fine gold on a warm bone ground, with the transliteration and meaning set quietly beneath.

The Name Al-Hayy, the Ever-Living, set large in classical Naskh calligraphy with vowel marks, inside a pointed mihrab arch drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

The Name Al-Qayyum, the Self-Subsisting, set large in classical Naskh calligraphy with vowel marks, inside a ten-pointed star medallion drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

Al-QayyumNo. 64

The Name Al-Wajid, the Finder, set large in classical Naskh calligraphy with vowel marks, inside a twelve-petalled shamsa sunburst drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

The Name Al-Majid, the Noble, set large in classical Naskh calligraphy with vowel marks, inside a twelve-pointed star medallion drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

Al-Majid, the NobleNo. 66

The Name Al-Wahid, the One, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on a pale parchment ground, with the transliteration and meaning set quietly beneath.

The Name Al-Ahad, the Unique, set large in classical Naskh calligraphy with vowel marks, inside a lobed roundel drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

The Name As-Samad, the Eternal Refuge, set large in classical Naskh calligraphy with vowel marks, inside an eight-pointed star rosette drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

The Name Al-Qadir, the All-Powerful, set large in classical Naskh calligraphy with vowel marks, inside a hexagonal medallion clasped with six-pointed stars drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

The Name Al-Muqtadir, the Omnipotent, set large in classical Naskh calligraphy with vowel marks, inside a pointed mihrab arch drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

Al-MuqtadirNo. 71

The Name Al-Muqaddim, the Expediter, set large in classical Naskh calligraphy with vowel marks, inside a ten-pointed star medallion drawn in fine gold on a warm bone ground, with the transliteration and meaning set quietly beneath.

Al-MuqaddimNo. 72

The Name Al-Mu'akhkhir, the Delayer, set large in classical Naskh calligraphy with vowel marks, inside a twelve-petalled shamsa sunburst drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

Al-Mu'akhkhirNo. 73

The Name Al-Awwal, the First, set large in classical Naskh calligraphy with vowel marks, inside a twelve-pointed star medallion drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

The Name Al-Akhir, the Last, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

The Name Az-Zahir, the Manifest, set large in classical Naskh calligraphy with vowel marks, inside a lobed roundel drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

The Name Al-Batin, the Hidden, set large in classical Naskh calligraphy with vowel marks, inside an eight-pointed star rosette drawn in fine gold on a pale parchment ground, with the transliteration and meaning set quietly beneath.

The Name Al-Wali, the Governor, set large in classical Naskh calligraphy with vowel marks, inside a hexagonal medallion clasped with six-pointed stars drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

The Name Al-Muta'ali, the Most Exalted, set large in classical Naskh calligraphy with vowel marks, inside a pointed mihrab arch drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

Al-Muta'aliNo. 79

The Name Al-Barr, the Source of Goodness, set large in classical Naskh calligraphy with vowel marks, inside a ten-pointed star medallion drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

The Name At-Tawwab, the Ever-Relenting, set large in classical Naskh calligraphy with vowel marks, inside a twelve-petalled shamsa sunburst drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

At-TawwabNo. 81

The Name Al-Muntaqim, the Avenger, set large in classical Naskh calligraphy with vowel marks, inside a twelve-pointed star medallion drawn in fine gold on a warm bone ground, with the transliteration and meaning set quietly beneath.

Al-MuntaqimNo. 82

The Name Al-'Afuww, the Pardoner, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

Al-'AfuwwNo. 83

The Name Ar-Ra'uf, the Most Kind, set large in classical Naskh calligraphy with vowel marks, inside an eight-pointed star rosette drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

The Name Malik al-Mulk, Master of the Kingdom, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

Malik al-MulkNo. 85

The Name Dhu al-Jalal wa al-Ikram, Lord of Majesty and Honour, set large over two lines in classical Naskh calligraphy with vowel marks, inside a lobed roundel drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

Dhu al-Jalal wa al‑IkramNo. 86

The Name Al-Muqsit, the Equitable, set large in classical Naskh calligraphy with vowel marks, inside an eight-pointed star rosette drawn in fine gold on a pale parchment ground, with the transliteration and meaning set quietly beneath.

Al-MuqsitNo. 87

The Name Al-Jami', the Gatherer, set large in classical Naskh calligraphy with vowel marks, inside a hexagonal medallion clasped with six-pointed stars drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

The Name Al-Ghaniyy, the Self-Sufficient, set large in classical Naskh calligraphy with vowel marks, inside a pointed mihrab arch drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

Al-GhaniyyNo. 89

The Name Al-Mughni, the Enricher, set large in classical Naskh calligraphy with vowel marks, inside a ten-pointed star medallion drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

Al-MughniNo. 90

The Name Al-Mani', the Preventer, set large in classical Naskh calligraphy with vowel marks, inside a twelve-petalled shamsa sunburst drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

The Name Ad-Darr, the Distresser, set large in classical Naskh calligraphy with vowel marks, inside a twelve-pointed star medallion drawn in fine gold on a warm bone ground, with the transliteration and meaning set quietly beneath.

The Name An-Nafi', the Giver of Benefit, set large in classical Naskh calligraphy with vowel marks, inside an octagonal cartouche drawn in fine gold on a midnight blue ground, with the transliteration and meaning set quietly beneath.

The Name An-Nur, the Light, set large in classical Naskh calligraphy with vowel marks, inside a twelve-petalled shamsa sunburst drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

The Name Al-Hadi, the Guide, set large in classical Naskh calligraphy with vowel marks, inside a lobed roundel drawn in fine gold on a deep emerald ground, with the transliteration and meaning set quietly beneath.

The Name Al-Badi', the Incomparable Originator, set large in classical Naskh calligraphy with vowel marks, inside an eight-pointed star rosette drawn in fine gold on a soft black ground, with the transliteration and meaning set quietly beneath.

The Name Al-Baqi, the Everlasting, set large in classical Naskh calligraphy with vowel marks, inside a hexagonal medallion clasped with six-pointed stars drawn in fine gold on an oxblood ground, with the transliteration and meaning set quietly beneath.

The Name Al-Warith, the Inheritor, set large in classical Naskh calligraphy with vowel marks, inside a pointed mihrab arch drawn in fine gold on a pale parchment ground, with the transliteration and meaning set quietly beneath.

Al-WarithNo. 98

The Name Ar-Rashid, the Guide to the Right Path, set large in classical Naskh calligraphy with vowel marks, inside a ten-pointed star medallion drawn in fine gold on a lapis blue ground, with the transliteration and meaning set quietly beneath.

Ar-RashidNo. 99

The Name As-Sabur, the Patient, set large in classical Naskh calligraphy with vowel marks, inside a pointed mihrab arch drawn in fine gold on a pale parchment ground, with the transliteration and meaning set quietly beneath.

As-SaburNo. 100

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