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Huruf

The full Arabic alphabet in thirty pieces, all twenty-eight letters plus lam-alif and the hamza, each drawn large in a different classic or modern typeface and set with blocks of colour, like a contemporary type-specimen poster series.

30 printsPortrait · square · landscape · phoneFree · 300 dpi
Tap a print for every size, free
The hamza in a hairline weight of Lateef, a small ink sign on bone hung between fine terracotta guide lines.HamzaNo. 1
The letter alif drawn tall and tapering in Amiri, in ink on bone beside a terracotta column.AlifNo. 2
The letter ba in Amiri, a broad terracotta bowl on blush with its single dot set apart in midnight blue.BaNo. 3
The letter ta in black-weight Kufam, a long flat ink form on saffron with its two bone dots set against a terracotta disc.TaNo. 4
The letter tha in Lateef, a broad bone bowl on teal with its three dots in saffron.ThaNo. 5
The letter jim in heavy Noto Kufi, bone on midnight blue against a saffron block, its dot picked out in saffron.JimNo. 6
The letter ha in Nastaliq, a single sweeping curve in pale olive on a deeper olive ground.HaNo. 7
The letter kha in heavy Reem Kufi, midnight blue inside a tall saffron capsule on bone, its single dot in terracotta.KhaNo. 8
The letter dal in Rakkas, an angular ink form resting on a terracotta slab across a bone ground.DalNo. 9
The letter dhal in a fine, light weight of Noto Kufi, a thin midnight line on blush with a terracotta dot.DhalNo. 10
The letter ra in Scheherazade, a bone hook over a teal ground divided on the diagonal.RaNo. 11
The letter zay in Rakkas, a sweeping bone stroke over a saffron half-sun on olive, with its dot in terracotta.ZayNo. 12
The letter sin in Scheherazade, its three small teeth and long bowl in midnight blue over a blush band.SinNo. 13
The letter shin in Noto Naskh, three teeth and a deep bowl in midnight blue on blush, its three saffron dots held in a midnight band above.ShinNo. 14
The letter sad in Marhey, a round loop and deep bowl in ink on blush with a terracotta block behind.SadNo. 15
The letter dad in El Messiri, drawn as a saffron outline on ink with its single dot filled in terracotta.DadNo. 16
The letter ta in black-weight Noto Kufi, monumental saffron on ink.Ta (emphatic)No. 17
The letter za in El Messiri, printed twice slightly out of register, terracotta beneath midnight blue on bone, with a saffron dot.ZaNo. 18
The letter ayn in heavy Reem Kufi, set in ink inside a blush arch on an olive ground.AynNo. 19
The letter ghayn in Ruqaa script, a tall ink form on terracotta over a saffron quarter-circle, its dot in bone.GhaynNo. 20
The letter fa in Nastaliq, a small loop and long sweep in midnight blue on bone, its single dot in terracotta.FaNo. 21
The letter qaf in Amiri, a deep bone bowl on teal with its two dots in saffron.QafNo. 22
The letter kaf in Ruqaa script, its looped form drawn in ink across a ground split between terracotta and bone.KafNo. 23
The letter lam in Ruqaa script, a tall stem curving into a cupped base, blush on midnight blue above a fine saffron baseline.LamNo. 24
The letter mim in Marhey, a round head and a long tail drawn whole in ink on terracotta.MimNo. 25
The letter nun in heavy Reem Kufi, a round olive bowl on blush with its single dot in terracotta.NunNo. 26
The round letter ha in Marhey, blush inside a terracotta disc on midnight blue.Ha (round)No. 27
The letter waw in Rakkas, a deep terracotta form on a lighter terracotta ground.WawNo. 28
Lam and alif joined into a single crossed form in Scheherazade, bone on ink across a slanting teal band.Lam-alifNo. 29
The letter ya in Scheherazade, a looping midnight form on saffron with its two dots in bone.YaNo. 30
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