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4 October 2026·4 min read

Five times of light

How the five daily prayers became a collection about the colour of the sky, from the first rose of Fajr to the deep blue of Isha.

Five pointed arches in a pale wall, each opening onto one time of the day: dawn with a crescent, the high noon sun, the gold of afternoon, the afterglow of sunset and night.

The five daily prayers are set by the sun. Fajr begins with the first light before sunrise, Dhuhr just after the sun passes its highest point, Asr in the afternoon, Maghrib just after sunset and Isha once the last light has gone. For anyone who keeps them, the day is measured in five changes of light, and that is what this collection draws.

Five skies

Each prayer has its own print: a dawn of indigo turning to rose, a high clear noon, a long golden afternoon, a red sun touching the horizon and a night sky with a crescent. Alongside them are quiet colour fields of each sky, named in English and Arabic, a sun-path diagram and a strip of all five colours side by side.

Fajr, Dhuhr, Asr, Maghrib and Isha.

Through the arch

Several pieces frame the sky in an arch, as you might see it from the colonnade of a mosque courtyard. Five Arches puts all five side by side; on a tall frame or a phone screen the arches restack so each one keeps its shape.

Five Arches, Sun Path, Time Strip and Mihrab.

Where they hang

The five colour fields work as a row along a hallway or above a long sideboard, in the order of the day. A single prayer print suits the room where it is most often prayed: Fajr in a bedroom, Maghrib in a family room that catches the evening light.

Behind the collectionFive Prayers