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A grid of drawings of a dallah coffee pot turned through many angles, opened, taken apart and shown pouring into small cups, in black with fluorescent pink fills. A large pink halftone dallah stands behind the grid, in the slightly offset two-colour manner of a risograph print.
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Object Study

Dallah Study

No. 2 of 50 · free · 300 dpi

What you seeA grid of drawings of a dallah coffee pot turned through many angles, opened, taken apart and shown pouring into small cups, in black with fluorescent pink fills. A large pink halftone dallah stands behind the grid, in the slightly offset two-colour manner of a risograph print.

What it meansThe dallah is the long-spouted coffee pot of Arabia, used to pour qahwa into small handle-less cups for guests; serving coffee this way is part of the Arabic coffee tradition recognised by UNESCO as intangible cultural heritage.

Where it worksAbove a hall table, in a kitchen or along a dining wall, where a print with plenty to look at rewards a closer look.

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2:3 · 7200 × 10800 px4×6 · 8×12 · 12×18 · 16×24 · 20×30 · 24×36 in
3:4 · 5400 × 7200 px6×8 · 9×12 · 12×16 · 18×24 in
4:5 · 7200 × 9000 px4×5 · 8×10 · 16×20 · 24×30 in
11:14 · 3300 × 4200 px11×14 in
A-series · 7023 × 9933 pxA5 · A4 · A3 · A2 · A1

Everything is one ZIP: every shape and size, the phone wallpaper, the SVGs and a printing guide.

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More from Object Study

All 50 prints
A grid of small drawings of a long-handled cezve coffee pot, empty, full, pouring and beside its cups, with a few cells printed solid red. A larger cezve in red halftone and black line sits in an open block of the grid.Cezve StudyNo. 3
A very large Moroccan teapot in teal halftone fills the sheet and runs off its edges, while a small block of black line studies of the same pot, its lid and its glasses sits in the top corner.Moroccan TeapotNo. 4
A calm grid of the same tall rosewater sprinkler repeated in black line on a pale blue sheet, its body or its stopper picked out in fluorescent pink in a slow rhythm.Rosewater SprinklerNo. 5
Hanging lanterns with six and eight glazed sides, lit and unlit, drawn in black on a chequerboard of cobalt blue and pale paper, the blue cells printed around the lanterns so that they show as clear paper.Lantern GridNo. 6
A single square incense burner on a stepped base, drawn in black with its bowl printed in solid orange and its body shaded in an orange halftone, alone in a fine frame on a grey sheet.Incense BurnerNo. 7
A string of thirty-three prayer beads hangs large in a green halftone, with a row of small black drawings of the same beads lying, hanging and turned beneath it.Prayer BeadsNo. 8
A grid of black line drawings of a long-spouted ewer and its wide basin, standing, pouring and seen from above, over one large blue halftone ewer set in its basin, in the slightly offset two-colour manner of a risograph print.Ewer and BasinNo. 9
A cezve full of coffee turned a little further in each cell of a grid, its long handle swinging round the sheet, in black line with the coffee in red and diagonal runs of views printed solid red.Cezve TurningNo. 10

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