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A warm white sheet covered with an even grid of small ink dots, with one round patch of interlocking clay stars drawn in just off centre.
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Zellige · Line & Light

Quiet Grid

No. 11 of 20 · free · 300 dpi

What you seeA warm white sheet covered with an even grid of small ink dots, with one round patch of interlocking clay stars drawn in just off centre.

What it meansThe dots are the midpoints of the tile edges the star pattern is built from; inside the circle they have been joined into stars in a single clay line, and everywhere else they are left as points.

Where it worksMostly empty with one small event, it works where a room is already busy or beside a denser print.

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2:3 · 7200 × 10800 px4×6 · 8×12 · 12×18 · 16×24 · 20×30 · 24×36 in
3:4 · 5400 × 7200 px6×8 · 9×12 · 12×16 · 18×24 in
4:5 · 7200 × 9000 px4×5 · 8×10 · 16×20 · 24×30 in
11:14 · 3300 × 4200 px11×14 in
A-series · 7023 × 9933 pxA5 · A4 · A3 · A2 · A1

Everything is one ZIP: every shape and size, the phone wallpaper, the SVGs and a printing guide.

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More from Zellige · Line & Light

All 20 prints
A cobalt sheet divided into four framed panels, each showing one stage of drawing an eight-point star: a circle with its axes, one square, the second square, then the finished star filled a shade lighter with a second star turned inside it.Four StagesNo. 12
A sand-coloured sheet with a field of interlaced ink stars rising from the bottom edge and fading out a little over halfway up, leaving the top open.HorizonNo. 13
A round window framed by three thin ink rings sits on a rose clay sheet, and inside it is a dark field of fine bone-coloured twelve-point stars.OculusNo. 14
A twenty-four-point rosette in clay, with pale clay petals around a solid star, sits in the lower right corner with only a quarter of it on the sheet; around it sand rings, spaced wider and wider, and straight radii spread across the paper.RippleNo. 15
A framed field of eight-point stars, petals and smaller four-point stars rendered as raised tiles in tones of terracotta, lit from the upper left, with no line and no second colour.Clay ReliefNo. 16
A framed stone-coloured sheet covered with a moss-green lattice of eight-point stars and crosses set on the diagonal, each line drawn as a band with two edges.LatticeNo. 17
A dark sheet with a faint grid of octagons and squares everywhere, and a diagonal band from lower left to upper right where the eight-point star pattern is drawn in gold.RevealedNo. 18
A sixteen-fold rosette in raised black pieces on a black sheet, shown by a gilt light along the upper edges of each piece and shadow below, inside a thin gold circle.Ink ReliefNo. 19

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A framed cobalt panel divided by a white lattice of interlocking ogival compartments, each holding a small palmette flanked by tulips, with red rosettes where the lattice meets, set in a slip margin with a cobalt double rule.Ogival LatticeIznik · No. 15
A tall pointed arch of deep blue twelve-fold tilework holding a much paler, finer star pattern inside, like light through a window; the outer tiles rise and scatter.Window of LightBab · No. 9
A cream rosette of horn scrolls seen up close, filling the frame and running off its edges, with a red star and a saffron centre on moss.Close RosetteFelt & Horn · No. 32
A central roundel of six turning botehs with quarter roundels in the corners, on a black-plum field sprinkled with small gold botehs.Moon ShawlPaisley · No. 18
Six tools laid out and labelled: a reed pen with its cut nib, a narrow pen knife, a magnified view of the nib's slit and oblique cut, a lidded brass inkwell, an agate burnisher and a mistar, a card strung with cords for ruling lines.Calligrapher’s ToolsThe Pattern Atlas · No. 75
The making at the scale of the thread. Finished madder crosses, each showing its separate strands, sit over woven indigo cloth, and the needle goes down into the next hole pulling its thread after it.Close WorkTatreez · No. 11